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Tuesday, July 24, 2012

Doctor Who Christmas: The Christmas Invasion (2005)

This week, during our continuing celebration of SCI-FI Christmas in July, Christmas TV History will  host several guest bloggers sharing their thoughts on Doctor Who Christmas episodes.  Starting us off is Nicole Mello.  Though she's spent time this month in Europe, she made sure to send me her post early.  Thanks for being patient Nicole.  And, thanks to everyone for guest blogging this month.



Doctor Who - “The Christmas Invasion” 
Starring David Tennant and Billie Piper, written by Russell T. Davies. 
Review and summary written by Nicole Mello.
This episode of Doctor Who begins with Rose’s lovely mother, Jackie, decorating her house for Christmas and missing her wayward daughter. The plot then turns as she and Mickey hear the sound of the TARDIS outside and rush out to meet Rose. The TARDIS crashes and the newly regenerated Doctor pops out, yells “Merry Christmas!”, and passes out. Rose comes out and explains how this is the Doctor.

In the process of regeneration, the Doctor is bursting with energy.
Rose and Jackie are taking care of the Doctor, who they believe has fallen ill. They’re both confused by his new appearance, but Rose is upset that the Doctor never explained this to her. They see Prime Minister Harriet Jones on the television, talking about the new space probe, much to Rose’s delight. Mickey, however, decides Rose needs to go Christmas shopping in London to get her mind off of the Doctor and back on him.

Creepy and deadly brass band
While the two friends are out shopping, Rose notices something odd about the Santas playing trumpets in the square. She’s proven right when the plastic-faced Santas begin shooting flames at the pair of them through their trumpets. Rose and Mickey flee in a taxi and hurry back to her flat, worried about the Doctor. The Doctor, meanwhile, is still healing from his regeneration. Rose notices the new tree, which her mother tells her is from Rose, but Rose knows there must be something wrong. The tree then begins whirring about and attacking Rose, Jackie, Mickey, and the Doctor, who is still unconscious. “Jingle Bells” plays merrily in the background as the group is attacked by the Christmas tree, and Rose leans down and whispers “Help me,” in the Doctor’s ear; he immediately wakes up and stops the tree with his Sonic Screwdriver.

The second assault is this deadly spinning Christmas tree.
Once the Doctor realizes what is happening, he goes outside and discovers three Santas waiting for him. He sends them away via his Sonic and tells the group that they were just pilotfish. The Doctor is still too weak from his regeneration, and that’s how the pilotfish found him; he is struggling and needs to remain asleep. He is clearly suffering and trying to tell Rose that there’s a danger, and he then promptly passes out again. They bring the feverish Doctor back inside to the bed he had been sleeping in before the Christmas tree attacked. Rose is too worried now to focus on Christmas, as she checked the Doctor’s heartbeats to discover that only one of his hearts is beating. The television is on and tells them that the probe reached Mars, but they had lost contact with the probe and seem worried about it.

Rose's mother Jackie looks over the Doctor as he remains unconscious.
Mickey has researched pilotfish, and now they know that the danger must be closeby. On the television, something is malfunctioning, and a monstrous alien face appears on the screen, much to the terror of the entire world. The man who has been in charge of this probe goes and meets with Harriet Jones and her right-hand man, Alex, about controlling the alien situation. Harriet Jones is knowledgeable about aliens and is not entirely worried. Soon, the team learns that the probe did not transmit any messages from Mars, but the probe is actually far off its mark.

Prime Minister Harriet Jones--remember her from a previous episode?
Mickey discovers that a spaceship is coming their way just as the new alien forms come onto all the screens in the world and speak to the humans in a foreign, unknown language. Rose is worried because she doesn’t understand the language, and the TARDIS always translates for her, no matter where she is; this leads to a heavier concern for the Doctor, who Rose declares “broken”. Harriet Jones, meanwhile, is frustrated by the aliens and her lack of ability to communicate with them, and worried by the fact that the Doctor has not yet showed up, and neither has Torchwood. She calls for Torchwood, which is supposed to be top-secret, to come help.
The message is now translated, and they learn that these beings, the Sycorax, want to take over and destroy Earth and the humans. Harriet Jones replies that this day, Christmas, is a day of peace on Earth and they will not surrender to these Sycorax. Rose is still worried, believing that this new Doctor is not the proper Doctor, not knowing yet that it’s the same man; she wants him to wake up and save the day, just like he’s always done.

The Sycorax Leader casts a spell controlling 1/3 of all humans.
Meanwhile, The Sycorax have a reply, but it’s merely some sort of spell that is beginning to control humans all over the country; the humans affected begin to simply walk in one direction. Not all people are affected, and the people who have their own free will continue to try to stop the people who are all walking to the roofs of buildings, seemingly to be forced to jump off. All over the world, now, there are people standing on any roof they can find, any high place; the broken walls of the Colosseum, anywhere they can find. One third of the world’s population is under the control of the Sycorax, about to jump to their deaths against their will.

The Sycorax spell has the world's population ready to jump from great heights to their deaths.
Harriet Jones still is calling for Torchwood to show up while the remaining team realizes that all the people who are being controlled have A+ blood. The man in charge of the probe remembers that, among the other human culture pieces he put on the probe, he put a vial of A+ blood, which the Sycorax now have. Harriet Jones then makes a declaration to England to remain calm; she then pleads for the Doctor to come, because they need him more than anything to save their desperate world. The Doctor remains asleep, still recovering from his regeneration, and Rose breaks down crying, believing that the Doctor is gone and left her. The moment is interrupted by a huge blast, shattering glass all over the world, a massive sonic wave.

Rose and Mickey carry the unconscious Doctor onto the TARDIS.
Rose, Mickey, and Jackie go outside after the blast just in time to see an absolutely enormous spaceship flying overhead. The spaceship stops over them, and the three of them run back inside to bring the Doctor back into the TARDIS and hide there until he wakes up, as Rose has decided that the only thing they can do now is run and hide. 

Who are the Sycorax?
At Harriet Jones’ headquarters, the Sycorax ask her, the leader, to step forward and come aboard their ship. Her and her team of three men - a military leader, her right-hand man Alex, and the man in charge of the probe - are transported onto the alien ship. Rose, Jackie, and Mickey are still working on bringing the Doctor (and a good amount of food) to the TARDIS. The Sycorax are asking for the Earth to surrender or they will release the “final curse”. The man in charge of the probe begs the aliens to show compassion and leave them be; he is promptly killed by the Sycorax leader. When the military man stands up against the Sycorax, he, too, is killed. The Sycorax leader then tells Harriet to surrender or everyone will die; but, if she surrenders, she can choose that either the humans will be sold into slavery, or the one-third of people that they have control over will die. 

After removing his helmet, the Sycorax Leader is just as intimidating.
Rose, Mickey, and Jackie have gotten the Doctor into the TARDIS as safely as they could. Mickey accidentally contacts the spaceship from the TARDIS, and the TARDIS is brought onboard the spaceship, as the Sycorax believe they are being attacked. Rose steps out of the TARDIS only to be taken by the Sycorax; Mickey follows her, but shuts the TARDIS door behind him, so the Doctor remains safe. Unfortunately, Mickey is basically a bumbling idiot, and he spilled tea into the TARDIS controls. Harriet takes hold of Rose and tells her it’s all going to be alright.
Mickey’s idiocy may have done something right this time, as the burning smoke of the TARDIS seems to bring something out of the Doctor. Rose is selected by the Sycorax to speak for her planet, and she does so willingly, trying to speak as she remembers the Doctor doing before. She asks them to leave the planet in peace, but the Sycorax all laugh at her and tell her she’s very funny, but now she’s going to die. They’ve decided that the people will be gutted and enslaved, but halfway through the Sycorax leader’s screaming, everyone begins hearing English, which means the TARDIS is functioning again, and, by extension, the Doctor is okay. The Doctor emerges from the TARDIS in his pajamas and bathrobe, asking cheerily “Did you miss me?”

FINALLY! The Doctor emerges, still in his bed clothes.
The Doctor, merry as always, greets everyone outside the TARDIS and says that all he needed was a good cup of tea. He is upset that Rose forgot about him, and the fact that he’s not ginger and rude. Harriet is confused by his new face, but the Doctor easily convinces everyone that he’s truly the Doctor. When asked who he is, he says he doesn’t actually know. He distracts the Sycorax by wondering out loud about who he actually is. He investigates the ship and quickly discovers the A+ blood control. He finds a “big, red, threatening button”, and promptly presses it, which brings all the people who were previously under the Sycorax’s control back to themselves. The Doctor quotes Elton John’s song “Circle of Life” from The Lion King to convince the Sycorax to leave the humans alone; when that fails, he challenges the Sycorax leader to a swordfight for the planet.

The Doctor challenges the Sycorax Leader to a sword fight!
After an intense battle scene, in which the Doctor is definitely the underdog and it seems as though the Doctor is certainly going to lose (he even got his hand cut off, though he did regenerate it), the Doctor actually comes out the victor. He lets the Sycorax leader live, but makes him swear on the blood of his species that he will leave at once and not harm Earth. The Doctor happily walks away, babbling about Christmas, but in the background the Sycorax leader attempts to attack the Doctor again. The Doctor presses a new button and the Sycorax leader falls away, to which the Doctor simply says “No second chances. I’m that sort of a man.” He tells the Sycorax people that they will tell others that Earth is defended and no foreign forms should attack again.

Oops!  The Doctor temporarily loses a hand.
Harriet Jones, Alex, Jackie (who has found them once more), Mickey, Rose, and the Doctor celebrate the defeat of the Sycorax. Harriet and the Doctor discuss how noisy Earth is, how they humans are getting noticed and that’s why they keep getting attacked. The Doctor, Rose, Mickey, and Jackie have a nice group hug, while Alex informs Harriet that Torchwood is now ready; Harriet, though she knows the Doctor sent the Sycorax away, informs Torchwood to open fire on the spaceship. They do so at once and completely obliterate the spaceship and all the Sycorax who were on it. The Doctor is completely pissed off, declaring that that was murder because they were leaving; Harriet says it’s defense, because she knows that the Sycorax would tell others about Earth. The Doctor tells Harriet that he should have told the Sycorax to run and hide, because the monsters, the human race, are coming for him. Harriet tells the Doctor that he won’t do anything bad, that he’s not capable of it, despite how angry he is. The Doctor just whispers to Alex “Doesn’t she look tired?”, and leaves with Mickey, Jackie, and Rose, and Harriet says she’s sorry. The Doctor chooses not to hear.

Harriet Jones' aggression (with Torchwood) against the Sycorax.
The Doctor, now with his own choice of clothing - David Tennant’s classic grey pinstripe suit, brown trench coat, shirt and tie, glasses, and pink canvas sneakers - joins Mickey, Rose, and Jackie for a lovely, traditional Christmas dinner after he inspects his new appearance. They then notice Harriet Jones on the TV, where she is telling everyone that she is fine, which tells us that the Doctor is trying to tell everyone she’s unfit for her position. The group then leaves the apartment and goes outside into what they believe to be Christmas snow and meteors in the sky, but the Doctor points out that the snow is ash and the meteors are broken spaceship pieces.

London's white Christmas is the ash from the Sycorax explosion.  Eewww!
Rose is worried that the Doctor was going to leave without her, both of them concerned that they’d be alone now that he’s regenerated. Mickey is sad that she’s leaving again, but Jackie maintains that her daughter and the Doctor are absolutely mad. The Doctor tells Rose that their new travels are going to be fantastic as he takes her hand; Rose then asks where they’ll go first, and the Doctor points at the sky and merely says “That way.” The episode then ends with this ending fitting for a Doctor Who Christmas special.

The Doctor selects his new clothes--a pin-strip suit--and begins his new identity.
        Doctor Who is always full of sadness, heartbreak, and darkness, but it’s easily mixed with humor, romance, and fun. This episode really shows that, as the horror of the alien attack and the desperation and fear of not having the Doctor blends with the traditional joy of Christmas and the season. Though Christmas is more of a background than a plot point, it’s plain that this is a Christmas episode. It’s especially plain because the Doctor Who Christmas specials are always some of the most intense episodes. The ending of “The Christmas Invasion” is a great summary of what Doctor Who is; everything looks beautiful and happy, with the snow and the shooting stars, but what the snow actually is is the ash of the dead, and everything is actually dark and frightening underneath the joy. This sums up Doctor Who, because the Doctor usually acts happy, cracking jokes and saving worlds, but what is actually happening is that the Doctor is all alone, with an incredibly dark mind, and the universes he explores are just full of fear and death.

Celebrating with Christmas crackers and paper crowns.
        As far as Christmas specials go, this one only captures what some may call the “spirit of the season” towards the end, with the four people - well, three people and one Time Lord - having a traditional Christmas dinner together happily. If you’re looking for a lovable Christmas special that just screams “MERRY GODDAMN CHRISTMAS,” this isn’t what you want to watch. Try Rudolph the Red-Nosed Reindeer or something along that vein. If you’re looking for an interesting show to watch on Christmas, however - a Christmas special that has a fascinating plot, intense scenes, and is just full of emotion - then look no further. I highly recommend watching “The Christmas Invasion” this Christmas in July. Also, make sure the Doctor’s on your speed dial; you never know when Santa might try to set you on fire.

Sunday, July 22, 2012

Mork & Mindy Christmas (1978)


I've always been a huge Mork & Mindy fan.  Yes, I wore the familiar rainbow suspenders in the 5th grade.  The suspenders had buttons on them--a button of a pointing finger and a button with a crescent moon and stars.  Remember?

Anyone else remember wearing those rainbow suspenders?
From Mork's first appearance on the television series Happy Days to his own successful spin-off with the beautiful and patient Mindy, I was hooked on this TV alien.  Continuing our marathon of science fiction Christmas entertainments, do you remember this classic TV Christmas episode?


Mork & Mindy: "Mork's First Christmas" (1978)
by Joanna Wilson

Having never experienced Christmas before, Mork hilariously misunderstands Earth’s holiday traditions from the door-to-door carolers to the fat men in red suits standing on every street corner.

Mork questions his friend Eugene about the Christmas tradition of a dead tree.
When Mindy describes Christmas as "a time for caring and sharing" and a time for "opening your heart to your fellow man," in the spirit of Christmas, Mork invites the egotistical and shallow Susan Taylor over to spend Christmas with them.  (Susan Taylor is played by the gorgeous Morgan Fairchild).  When Mindy fumes over having spend Christmas with such a horrible person as Susan, Mork concludes that Christmas is a sham.

Susan (Morgan Fairchild) has a way of inviting herself over for Christmas.

Not wanting to send the wrong message, Mindy finally agrees to having Susan over for the holiday--even if she makes everyone else feel miserable.  Mork then sets off on the next Christmas tradition: buying gifts for his friends.

The Orkan is not prepared for crowded holiday shopping and angry shoppers.
When holiday shopping becomes too much, Mork decides to prepare homemade gifts for the McConnell family.  But on Christmas morning, he overhears how the others don't really like his gifts made from carpet scraps, chewing gum and dead flies. 

Grandma doesn't really appreciate her new sculpture of Liberacé made from chewing gum!?
Though Mork's gifts go under-appreciated, he is able to give better presents once he understands the adage “it’s the thought that counts.”  His alien abilities allow him to affect them each with a cherished memory from their pasts.

Since it's the thought that counts, Mork literally gives them good thoughts for Christmas

Mindy is given the emotional experience from her past when her runaway puppy had returned home.  Grandma is able to re-live the memory of her first Christmas with her now-deceased husband, and Mindy's father remembers the love he felt when he held his baby daughter in his arms for the first time.  This episode's story will take your from laughter to tears in a matter of moments.  Merry SCI-FI Christmas in July!

The McConnell family thanks Mork for his thoughtful Christmas gifts.

Saturday, July 21, 2012

SCI-FI Christmas in July GIVEAWAY #2

It may be hot this July, but we're staying cool with the yule.

It's time for another giveaway!  This SCI-FI Christmas in July celebration wouldn't be complete without giving something away to my loyal readers.  With this prize pack, you'll be ready to watch some Christmas classics this coming December--or perhaps fill yourself with a little Christmas spirit any time of the year!

Here's what you can win:


The DVD Christmas Classics which includes the 1985 animated special George and the Christmas Star.  You just read about this adorable children's classic yesterday on this blog.  Click HERE to see that again.


The DVD The New Christmas Classics which includes Casper's Haunted Christmas, Gumby Christmas segments, the Christmas episode of George of the Jungle and Fat Albert's Christmas SpecialClick HERE to re-visit what I had to say about the TV classic Fat Albert's Christmas Special.


As if that's not enough, I'm throwing in a 3rd DVD entitled 2 Holiday Kids Movies which includes the movies Prancer and Blizzard.  Both movies are fantasy stories about magical reindeer changing the lives of young girls.  Prancer is quite good and includes not only Sam Elliott and Cloris Leachman but a young Johnny Galecki too.  Of course, all of these entertainments on these three DVDs are included in my encyclopedia Tis the Season TV.  Check out what I have to say about each of them there.

All three DVDs are brand new, factory-sealed.  There will be ONE winner for the entire package.  This giveaway is open to all North American residents but limited to valid entries with shipments made to the U.S. and Canada only.  Feel free to share this giveaway post with your friends and family.

Here's how you can enter the giveaway:

Do you follow my Facebook page 'Christmas TV History?'  Click HERE for the link.  If you don't already follow, give it a 'Like'.  Thank you if you already follow me there.  Now to enter the giveaway: leave a comment on the wall of the FB page 'Christmas TV History' and tell everyone which of the SCI-FI Christmas in July blog posts is your favorite so far.  That's it!  Do that and you're entered.

I'll randomly pick the winner from all qualified entries after 8pm (ET) on Monday July 23rd.  Good Luck!  And, Merry SCI-FI Christmas in July!

Friday, July 20, 2012

George and the Christmas Star (1985)

I couldn't let SCI-FI Christmas in July go by without mentioning one of my favorite animated TV specials from 1985.  I don't remember seeing this in the 1980s but it's one of those gems I found when researching for the encyclopedia I compiled, Tis the Season TV.  This adorable special is one of those rare treats that makes my work the best job in the world.  Have you seen this before?

George and the Christmas Star
by Joanna Wilson

Hhmmm...could be better.

George has a paper star for the top of his Christmas tree but decides he wants something better.

George builds a rocket ship to find the perfect Christmas star.

So he builds a rocket ship to go into space to get the one he spots in his telescope.

Ralph's dream is to be a piano player.

In space, he meets Ralph an alien robot who runs a hotel.  Ralph decides to join his new friend George on his search for the perfect star.

"Aarrggh! We want your fuel for our ship."

Along the way, they are attacked by space pirates and taken hostage aboard their ship where they meet Barbara, another hostage.

George and Ralph meet Barbara, another hostage of the space pirates.


Space police rangers come and free the three new friends, but run into more trouble with outlaw space bikers, called the Bells Angels.

Outlaw space bikers--this is too cute!

They escape and eventually find George’s star in the night sky and place it in a box. 

The three friends finally find their Christmas star in space.
 But another obstacle arises: they don’t have enough fuel to get home!

St. Nick in Space to the rescue!

Luckily, Santa Claus passes nearby and agrees to help them home.  Now back at home, George, Ralph and Barbara put the star on top of his tree only to find it floats back up into space!

Was their space journey all for naught?

George comes to realize that a paper star for his tree top is good enough when he has two good friends to spend Christmas with him.

The best Christmas is one spent with the people you love.

This charming Canadian-made, half-hour animated special also includes two songs written and performed by music legend Paul Anka.  Check out the video for "Anyone Can Reach a Star," a song by Paul Anka from George and the Christmas Star that was never released as a single or on any album.



If you're not familiar with Anka, you should know he started his career as a teen idol in the late 1950s with the hit songs "Diana" and "Put Your Head on My Shoulder."  He's had a very long and successful career as both a singer and songwriter.  More recently, he's had an exciting comeback releasing lounge-y, swing versions of popular music on two albums "Rock Swings" and "Classic Songs, My Way." My favorites are his cover of The Cure's "Lovecats," Duran Duran's "Ordinary World" and Van Halen's "Jump."  Another great one--check out Paul Anka's version of Billy Idol's "Eyes Without a Face."  Yes, I have these albums--and they're awesome.


Thursday, July 19, 2012

Warehouse 13 Christmas (2011)

Do you watch and enjoy the original programming on the Syfy Channel?  Warehouse 13 is an interesting series.  It combines charming characters in a provocative location--these are the employees of an Area 51-type governmental storage facility.  They are responsible for guarding over alien and supernatural artifacts that the government secretly possesses.  This drama with light comedic moments has produced two Christmas episodes so far.  Last year's was my favorite.  This episode is currently streaming on Hulu.  Merry SCI-FI Christmas in July!



Warehouse 13: "The Greatest Gift" (2011)
by Joanna Wilson


Pete accidentally touches an artifact while in the Aisle of Noel in the Warehouse.  Unfortunately, he discovers he now occupies a time and place as if Pete Lattimer never existed.  What was that artifact he touched?

Pete enters the Aisle of Noel inside Warehouse 13--I wonder what magic that leg lamp holds?
Unfortunately, he has touched an upholstery brush owned by Philip Van Doren Stern--the author of the short story “The Greatest Gift” which inspired the movie It’s A Wonderful Life.  Indeed, Pete has found himself in a new reality as if he was never born!

In this reality, Myka is suspicious of this stranger who insists they are partners at Warehouse 13.
Now Pete has to go to Washington DC to convince Myka, who’s never heard of him, to let Artie out of prison and help him break into Warehouse 13.  They have to make things right because in this world the agent-turned-killer James MacPherson isn’t dead--he’s booby trapped the warehouse to use the artifacts for his own purposes.

Actor Roger Rees (center) plays the sinister James MacPherson.
Can Pete convince Myka, Artie, Claudia and Leena to trust him even though he’s a stranger?  This is a very clever way to adapt the familiar story of It’s A Wonderful Life in a whole new way.  Of all the adaptations of It's A Wonderful Life attempted within TV episodes, this is a bold one that succeeds.  It's both original yet faithful to the spirit of the movie (and short story).  This episode also makes another great installment of Warehouse 13.

Cover of deluxe edition from Penguin Books.

Have you read Philip Van Doren Stern's book "The Greatest Gift" before?  The book really does include an upholstery brush as an important artifact within its story.  I wrote about this book just last month--click HERE to link back to that review.

Wednesday, July 18, 2012

Christmas on Mars (2008)

Christmas TV History would like to welcome another guest blogger, Bob Ignizio from Cleveland Movie Blog.  Bob also wrote last year's 1990s Christmas in July post about Boogie Nights.  This year he shares with us his thoughts on another theatrical release movie.  Thanks Bob! Merry SCI-FI Christmas in July.


Christmas on Mars
by Bob Ignizio

For those who like to ring in the holidays by consuming something a little more mindbending than eggnog, CHRISTMAS ON MARS is for you. Although much of the film consists of extended psychedelic sequences and shorter bizarre and disturbing visions, there is a plot and it's not that hard to follow. Major Syrtis (Flaming Lips multi-instrumentalist Stephen Drozd) is trying to put on a Christmas pageant for the residents of a rundown Martian space colony. The event is to celebrate the arrival of the first human child due to be born there at midnight on Christmas, but a major monkey-wrench gets thrown into Syrtis' plans when his Santa commits suicide. With no one on the crew willing to take over, the role is given to a strange green skinned visitor (Lips frontman Wayne Coyne) who mysteriously appears outside the station.

It's a Christmas miracle!  A visitor (Wayne Coyne) arrives in time to be the replacement Santa.

Most of the cast consists of the Lips and their friends, who are not professional actors (SNL's Fred Armisen being a notable exception). That said, while there is some expected unevenness to the performances, for the most part everyone acquits themselves well. The effects and sets, while by no means flashy or high tech, are surprisingly convincing. The space station looks very much lived in, and there are a few practical effects scenes that are none the less disturbing for having been done on the cheap. 

Sci-fi weirdness, indeed.

Watched stone cold sober as was my experience, CHRISTMAS ON MARS is a reasonably entertaining bit of sci-fi weirdness. Most of the film is in black and white, with occasional instances of color used for jarring effect. The instrumental soundtrack by The Flaming Lips further enhances the acid-head atmosphere. The overall vibe is very much in the vein of sixties underground films, a stylistic blend of Kuchar Brothers campiness and Kenneth Anger's dead serious metaphysics in the service of a 'B' science fiction plot. It's a mix that helps keep the film's core theme of a new messiah born of science rather than religion from veering too far towards either pretension or silliness.

This black-and-white film includes a few scenes with color that grab your attention.

No doubt plenty will still find it to be self indulgent weirdness for its own sake, and some may even consider it blasphemous. Both are perfectly reasonable reactions. Hopefully there's enough information in the preceding paragraphs for readers to make an educated guess as to which camp they're likely to fall into, and proceed with caution from there. Personally, although I'm not planning on making CHRISTMAS ON MARS a new holiday tradition just yet, I did enjoy it. Fans of the Lips and/or hallucinogenic substances will likely enjoy it even more. 3 out of 4 stars.